Review of new Shane Alexander album entitled ‘Bliss’

Shane Alexander released his sixth album, Bliss, on July 8. A blend of ‘60s folk and lyrically focused rock, this is a strong record with varied appeal.

On July 8, Shane Alexander released his sixth full-length record, entitled Bliss. Despite being no stranger to a recording studio, this album represents a first for the artist – he chose to self-produce. Here, Alexander brings together light rock and ‘60’s folk in one record. Though sometimes these elements blend together, at others they remain quite separate. Those artistic choices make for an album with varied appeal.

New voice, old soul

Bliss opens with “Evergreen.” A song deeply rooted in times gone by, there is something very Simon and Garfunkel circa “Parsley, Sage, Rosemary and Thyme” about the track. Light vocals and guitar-heavy instrumentation permeate “Evergreen.” Though well executed, it may find a slightly limited audience.

The second track on Bliss, with increased tempo and percussion, is “Something Real Never Dies.” This tune tends more toward the Gin Blossoms – or other ‘80s and ’90s pop rock groups. Accessible and pleasant, “Something Real Never Dies” explores emotionality without tipping into emo.

Retaining the full instrumentation from track two, “In The High” decreases tempo and increases weight. In a lyrically interesting song, Alexander captures audience attention. Once more, the artist dips down in mood. In this instance though, a touch more emotion in vocal performance may have resulted in greater power. Despite this, “In The High” is a true highlight on the album.

“I Will Die Alone” brings audiences back in time once again, with echoy vocals that expertly age the track. A somber tune with a clear story, “I Will Die Alone” feels like a marriage of John Cale and Johnny Cash. This tune is another gem in the middle of Bliss.

Throughout the remainder of Bliss, Shane Alexander explores a range of material – light and fast head-bobbing tunes to heart-driven lyrical work. In closing, the artist leaves listeners with the title track. An atmospheric opening sets this song apart from others on the album. However, it quickly dissipates as Alexander's voice enters with now-familiar inclinations. An apt ending to the record, “Bliss” seems to evoke a sunrise.

Shane Alexander turned in a strong album with Bliss. His relatable style, solid vocal and string work and interesting lyrics will keep listeners coming back to the record.