If you’ve ever wished there could be more singers like Ol’ Blue Eyes himself on the music scene today, then clearly you’ve never heard of Peter Oprisko. His album Lost In A Kiss easily harkens back to the days when crooners held audiences in the palms of their hands, which is exactly what happens to listeners here.
Accompanied by the incredibly talented Sean Baker and his 20-piece orchestra, Oprisko delivers a record that champions the Great American Songbook with a couple of original pieces that could very well become part of the collection one day. Up to this point in his career, Oprisko’s albums have usually featured smaller ensemble accompaniment. However, he and Baker have always wanted to do one with strings and a full orchestra, so Lost In A Kiss has truly been years in the making.
The Chicago-based vocalist and lyricist takes listeners on a romantic journey that catalogs the countless sensations that can be inspired by a kiss. He offers vivid descriptions in his quietly emotional, though very capable, baritone. More importantly, you can sense his deep understanding of the lyrics and his passion for these standards. While many compare him to Sinatra, I’d argue that his style is similar, but not a copy of the legend’s. He has a distinct voice that sets him apart from his peers in this genre and has earned him a solid following among jazz fans.
With the exception of “One Tender Kiss” and the album’s title track “Lost In A Kiss” (the originals providing the inspiration for this project), the rest of the standards are (mostly) well-known and (definitely) largely requested romantic favorites. Everything from the much-recorded “Besame Mucho” to the ‘60s classic “A Taste Of Honey” get a contemporary spin here. Highlights include the spunky, sassy and swagger-filled “Knock Me A Kiss;” “A Kiss To Build A Dream On” with its fantastic instrumentals; and “Everybody Loves Somebody,” which offers a fresh, more mature take on the Dead Martin hit version.
All in all, Lost In A Kiss features smooth vocals and exciting interpretations of classics that could very well lead to a resurgence of interest in this genre. And since Oprisko performs 300 engagements every year, there’s a good chance you’ll be able to experience his charm and enthusiasm for this timeless material up close and personal.
For more information on Lost In A Kiss, please visit
Peter Oprisko’s website or follow him on Facebook.
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